Contents:
1. Preparations
1.1. Required tools
1.2. Measuring the string
1.3. Preparing and mounting your frame
1.4. Adjusting the weight
2. The stringing process
2.1. Determining the stringing pattern
2.2. Pulling the main strings
2.3. Knots
2.4. Pulling the cross strings
3. After stringing
3.1. String savers
3.2. Vibration dampeners
4. Stringing badminton racquets
1. Preparations
Here you'll find out which tools you need and
which preparations are to be done before you can actually start to string.
Most of the following may sound trivial but nevertheless I won't leave
out anything for the sake of completeness. This way people who are playing
with the thought of buying a stringing machine will get a complete view
of the matter.
1.1. Required tools
Your most important "tool" - besides
your hands - is of course your stringing machine. There are a lot
of different types of machines; below I will assume you have a drop weight
tensioner machine with two fixed single action clamps. Read
more about stringing machines here.
Check the integrity of your machine. Remove
oil from spots which should fix something, like the clamps, when you notice
that the string slips through or the clamp is moving. Sometimes you also
have to tighten screws. Once again the clamps are affected: for example
you have to tighten them when you are stringing a thinner string. But be
careful: if the string is fixed too tight it might get damaged!
But you do need oil on moving parts of the machine,
such as the rod or the turntable. Grease according parts from time to time.
With careful service you will automatically increase the lifetime of your
machine.

Your machine can be in best shape, but without
the appropriate accessories you won't get far. For measuring and cutting
the strings you need a yard stick/meter rule, a diagonal
cutter [1] and a marker, for tying the knot you need an awl
[3] to fix the string and I recommend using parallel jaw pliers
to tighten the knot. Sometimes you'll be happy if you own a so-called pathfinder
awl [4]. You can retract such an awl's point within an outer sheath,
so you can insert a string into the sheath, enabling you to thread strings
through grommets that are blocked by another string. You can manage without
a pathfinder awl, but sometimes that's a torture. Handle your pathfinder
awl carefully, it's quite a delicate instrument.
If you're stringing an older racquet that has damaged
grommets and the string is in danger of running along sharp edges you should
use a string tubing. That's a simple tube that's inserted into a
grommet hole. If your grommets should be too narrow - bad luck - you'll
have to buy a new grommet...
1.2. Measuring the string
If you are stringing a racquet for the first time
you should determine which way the racquet has to be strung. Read more about that
below (2.1. "Determining the stringing pattern").
If you got yourself a 200m (660') reel you'll
have to cut off an appropriate piece for your racquet. How much string
you need depends on your racquet's size and string pattern. I suggest
you cut off 12m (39') at the very first time, that should be enough. Then
after stringing measure how much string you cut off and calculate how
much you will need next time. But don't forget to add the distance you
needed to tighten each knot (about 2') to enable a racquet-friendly stringing.
In general, better use too much string than not enough. Imagine your anger
when you reach the end of the racquet and notice that your string is one
foot too short! For a 95 sq.in. racquet with 16 mains and 19 crosses you
need about 11.5m (38').
Unfold your meter rule to one meter, position it
in front of you and measure the string meter by meter (respectively use
a yard stick). Make sure that the string doesn't get tangled up while unwinding
it. At best you hang up the reel so it can rotate, enabling the string
to unreel. Then cut the string as diagonally as possible so you
can handle it a lot easier later on. If you are using a set of strings you don't have
to cut anything, of course. Most sets are 36' to 41' (11m-12.5m) long.
If you are stringing mains and crosses separately (two piece stringing),
you have to make another cut. If your racquet has 18 main strings I suggest you use 7.0m (23') for
the first time. The remaining string (if you cut off 12m / 39') should be sufficient for the cross
strings. For 16 main strings, measure 6.4m (21') respectively.
When you use the same piece of string for the mains and crosses (one piece
stringing) you only have to mark the string to divide it into two parts. You need to know the length
that is used for exactly half of the main strings. Thus this length varies with the total number of main
strings in your racquet (mostly 16 or 18). For 9 mains start with 3.5m (11'7"), for 8 mains take 3.2m (10'7").
Do not mark the string by notching it, even if your string is black! The effects
on the durability of the string would be fatal. Better use a solvent-free
felt tip or permanent marker (in case of a black string just don't mark
anything and hold the spot with one hand while pulling the string with
the other hand).
Also for two piece stringing it is useful to mark the middle of the piece you
use for the mains. Alternatively, when starting, you can thread the string in such a way that the
overhanging ends have the same length.
1.3. Preparing and mounting your frame
It's best if you cut out the strings as soon
as possible after they tore to avoid unnecessary stress on the frame. Cut
a cross symmetrically from the middle to the outside. The same you have
to do when you've been playing with the same string for a very long time
so its elasticity has decreased and you've decided to restring your racquet.
After removing the strings you should check the
grommets for damage. In no case the string should run over sharp edges.
Especially delicate are the outer mains. Neither should there be any clay
in the grommets.
When mounting the frame make sure to fix it in
a balanced way. The frame is exposed to immense force during stringing,
so it can easily be damaged when it's unequally stressed too often. I recommend
using a 6-point mounting system, yet there are many different types. What's
important is that your racquet cannot move during stringing. But don't
fix your racquet too tightly. At best just as tight as necessary so it
doesn't move when you shake the grip.
1.4. Adjusting the weight
Before you actually start to string you have
to know how hard you want to string your racquet. Ask the person who previously
used to string your racquet about the tension so you get an approximate
value. As you now have the total control over your own string tension you
can easily try different tensions, check out how you play with half a kilo
more or less. Less tension provides more power, more tension provides more
control. The more power, the less control. Just evaluate the speed of your
swing - the faster your swing the more tension you should use. Stiff racquet
frames, above all Widebodies, and also oversize racquets should be strung
with a higher tension to equalize their power.
The tension is mostly measured with two figures,
e.g. 27/26 kg, where "27" is the tension of the main strings
and "26" is the tension of the cross strings. It's recommendable
to string the cross strings with 1 kg (1 kg equals 2.2 lbs)) less weight than the
main strings; by that you equalize the different length of mains and crosses.

With a drop weight tensioner you just have to
move the weight to the desired position on the rod. With spring tensioners
you adjust the tension using a screw and with electronic machines the tension
is entered digitally.
2. The stringing process
2.1. Determining the stringing pattern
Before you string your racquet for the very
first time you have to determine whether one-piece or two-piece stringing has to be performed.
In principle any racquet can be strung using one piece of string, but to maximize the life of your
racquet the cross strings should always be strung from the head to the throat (during stringing the
frame is deformed and because the throat is more stable the deformation is not as high). So for some
racquets it is necessary to string and tie the mains and crosses separately (-> 4 knots).
Now how do you know which method you should apply to a foreign racquet?
You have to know two things: first the total number of main strings in the racquet, second the number
of main strings that are in the throat. Use one-piece stringing if the racquet has 16 mains and 8 among
them in the throat, or 18 mains and 6 among them in the throat. Use two-piece stringing if the racquet
has 16 mains and 6 among them in the throat, or 18 mains and 8 among them in the throat.
The number of mains in the throat also decides about which mains you start stringing.
If there are 6 mains in the throat you start with the two central main strings, if there are 8 mains in the
throat you start with two mains just beyond the center of the racquet.
2.2. Pulling the main strings
If you have a brand new machine make sure it
has a mark for the exact horizontal position. If there isn't such a mark
you have to draw one using a spirit-level. The exact horizontal position
is so important because the drop weight rod only pulls with the desired
weight when standing in a position exactly parallel to the ground. Even
small deviations from the horizontal position can cause large deviations
of the string tension.

Usually the main strings are pulled one row at
a time. For better convenience, I always pull two mains at
once so that I only work at the racquet head and don't get into trouble
with the grip. The disadvantage is that you lose some of the tension due to friction.
To minimize the loss of tension you can pluck the mains being pulled firmly ("upwards"
out of the racquet plane).
Thread the short end (the
3.5m/11'7" or something) of the string (resp. half of the string you cut off for
the mains for two-piece stringing) into the grommet so that the string beyond the mark
runs exactly through one half of the racquet. In the above picture the racquet has 18 mains and because
there are 8 mains in the throat one has to start with two mains next to the center and the mark is at
the racquet head. If the racquet had 6 mains in the throat one would start with the two central mains and the
mark would be in the throat.
Tighten both ends of the
string with one hand while fixing the first row (from head to grip) with
one of the two clamps using your other hand.

Now insert the short end into the string gripper
and slowly move the rod into the horizontal position. It will hardly come
to rest in the exact horizontal position, rather it will drop further down.
If the rod doesn't even reach the horizontal position you will have to
release it, insert the string a little looser and try once again. If the
rod drops further down you have to hold the string gripper with one hand
while you move the rod a little back above the horizontal position using
the other hand. Now let it drop down again and repeat this procedure until
the rod comes to rest in the exact horizontal position. You will get a
feeling for this procedure soon.
In this position the string is tightened with the
tension adjusted on the rod. Now fix the second row with the second clamp
and release the weight rod into the vertical position while taking the
string out of the tensioner.
If you're using a spring tensioner you have to
crank until the spring reaches the tension you have adjusted and automatically
locks out the crank mechanism.
Follow the same scheme for the rest of the main
strings. It's important that you do not string one half and then the other
half of the racquet; you should rather string symmetrically to lower the
stress on the racquet. While the weight rod is in the horizontal position,
release the clamp next to the string being tightened and fix the currently
tightened row with it. Never release the outermost clamp! You would have
to start from the beginning!
Soon as you have reached the last row with the
short end of the string tighten and fix it (can be on the racquet head
or on the bottom). Now you have to tie the string to one of the preceding
rows. Choose the next grommet which is wide enough to carry two strings.
In most cases there is a grommet which is a bit wider than the others just
for this purpose. Pull the string through this grommet and tighten it.
But it's better if you don't tighten it 180° over the frame, rather
you should fix your turntable (if possible) and tighten the string across
the whole racquet. You will need a little more string but it is much milder
to the frame and the grommets.
While the weight rod is in the horizontal position,
thread the awl through the grommet hole containing the two strings to fix
the string being tightened. Make sure not to damage the grommet or one
of the strings. If the grommet hole is too wide just insert one or two
additional temporary string fragments.
2.3. Knots
Now you can release the rod and tie the end
of the string to the main string (left picture).
 |
 |
| normal knot |
alternative knoten for polyester strings |
The normal knot won't be useful when trying
to tie a wire-like string. In such cases I prefer a simpler version
(right picture). The knot is tightened with the parallel jaw pliers. After
that you can remove the awl and cut off the end of the string at the height
of the frame. From now on you will only need one clamp.
2.4. Pulling the cross strings

Having reached the last main row on the other
half of the racquet you have to change to the first cross row when using the one-piece method.
Often you will find the desired grommet hole right next to the one you just came
out of. For two-piece stringing, you have to tie the last main string again (analog to the first knot).

For two-piece stringing you have to tie the cross string to a main string at the racquet
head. For that use a grommet that is a little wider than the other ones, tie the cross string around the
main string and pull tight with your hand. Then thread the other end through the hole for the first
cross row. The knot is tightened when you tension the first cross string.
Now the cross string has to be "weaved"
through the main strings. To do that take the end of the string between
both index fingers, one above, the other below the main strings, and guide
the string alternately above and below past the main strings. Before actually
pulling the string you should make sure not to have run over or under a
main string twice. Don't worry, this process will become routine pretty
soon.

While pulling the string make sure not to damage
the main strings at the intersections due to friction heat. To avoid that,
bend the cross string during pulling so it doesn't touch the mains at the
same spots all the time. But before tightening it, push the cross string
back into a straight line as good as possible. That's necessary because
if you tighten the cross string while it is not straight you will automatically
get a loss of tension.
For one-piece stringing, tighten the first cross string with the same weight
as the mains. Then readjust the weight on the rod if you want a different
tension for the cross strings. For two-piece stringing change the tension now and make sure the
knot is not pulled through the hole while tensioning.
The cross strings are tightened row by row because
the friction is so high that you wouldn't get the full tension when tightening
two rows at the same time.
After tightening the last cross string, search
for a suitable main grommet once again and proceed just like you did at
the first knot (except that you haven't got as much space in many cases).
Now you can release your racquet from the mounting. Finished! Wait, not
yet...
3. After stringing
In principle your racquet is now ready for play,
yet there are a couple of things to be done:
First you will notice that the cross strings
aren't straight. You get a more uniform string bed when you make the effort
and straighten the cross strings. And it also looks better.
It's better if you don't immediately play with
the fresh racquet because the tension loss would be very high. It's best
if you let your racquet "rest" one or two days.
Now you have the chance to increase the durability
of the string or to do some racquet tuning:
3.1. String savers
You may have noticed in some tennis broadcast
on TV that many players (for example Sampras and Korda) use a dispenser
to insert small platelets into their strings from time to time. Those platelets
are called Elastocross, Super Cross, String Cross or something like that.
The platelets are inserted at the string intersections to avoid the wearing
of the strings. By that the durability of the strings is considerably increased.
Top spin players will like the fact that the strings don't move as much
as without string savers. Also you get more spin. I personally cannot play
without those platelets any more.

There are two types of those string savers:
as mentioned above, one comes in a dispenser. But if you're no professional
who needs to manipulate his strings during a match I recommend using the
second type. Here the platelets are carried on a support tree from which
they can easily be separated. Those platelets are much more durable than
those in the device. You can reuse the platelets over and over again by
inserting them with tweezers.

The price of about $7 and 20 minutes of additional
work really pay off, considering that one package lasts about one to two
years. Try it!
3.2. Vibration dampeners
Almost every player uses a vibration dampener.
But those rubber parts which are inserted at the lowest section of the
strings have nearly nothing to do with arm protection or related stuff.
They do absorb the subtle vibrations of the strings, but the by far stronger
vibrations of the frame are not affected. Nevertheless vibration dampeners
have a positive effect on most players, otherwise they wouldn't be so popular.
The dampener ony modifies the sound when hitting the ball. It just sounds
better when there's a faint "click" instead of a "pling".
Vibration dampeners come in many different shapes.
The larger the dampener, the better the absorption. The price is between
$2 and $5.
4. Stringing badminton racquets
The only source I know so far for instructions on badminton stringing
is Prospeed's Step by Step Instructions. There
you find a comprehensive guide with a lot of illustrations.
© Jens Barthelmes
Photos: Martin Lazak
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